Movie Review: Priceless (2006)

Original Title: Hors De Prix 

Language: French

A fresh romantic comedy always feels good, and if it features Audrey Tautou then it’s like the icing on a super yummy cake. Pierre Salvadori’s Priceless is one of those delicacies which I thoroughly enjoyed savouring.

Priceless is the story of Irene (Audrey Tautou), a high maintenance gold digger who preys on old, lonely and most importantly rick men. She seduces and traps them to live a comfortable high life in expensive hotel suites. One night she mistakes the lowly bartender Jean (Gad Elmaleh) for a millionaire and drags him to bed. On learning the truth she leaves but her charms work their magic on him and the hapless Jean is absolutely smitten by her. He goes about following her and spending all his savings to keep up with her never ceasing demands of dresses, bags, champagnes, caviar etc.

The plot is run of the mill but the treatment and presentation is oh so classy. And Tautou! She charms you with both her performance and her looks. She is such a natural actress and here she does wonders to her character. An innocent dame one minute and heartless seductress the other, the viewer oscillates from loving her to feeling slight disdain for her, to sympathizing with her and back to loving her! Her facial expressions speak volumes. Had it not been Audrey playing this role, I would have easily hated this merciless bitch! And about her looks, well she is elegance, style, beauty and sexy personified. I don’t think she’s looked this stunning ever. Guys are definitely bound to feel the heat and some movement too seeing those necklines plunging all the way down to her navel. She is truly ‘Priceless’.

Gad with his innocent looks shows great charm and delivers a decent act and he shares a wonderful chemistry with Audrey.

On the surface level it is one of the farcical rom-coms, stylish and endearing. However every work of art has layers to it, it is just a matter of interpretation. Priceless is a mild commentary on the vanity of high class, twisted human values, materialism and the game of love.

In one of the scenes, after being dumped by her latest rich beau, Irene left with only the bikini she is wearing, sits shivering at poolside while the sun sets and the place changes from bathers to dinner jackets. In a moment she is reduced from a queen to a spectator. Tautou’s expressions are pitch-perfect here and you get a glimpse of the harsh realities.

In the other scene, Irene is choking down a spoonful of caviar that she actually hates but is teaching herself to appreciate it. "I'm sure when you like it," she says, exuding not-so-innocent hope, "it must be delicious."

Priceless is a light-hearted entertaining romantic comedy and is a delightful watch!

Rating: 7.2/10

Movie Review: The Past 2013

Original  Title: Le Passe

Language: French

Is divorce/separation the end of a relationship? Technically yes, but it is, in fact, the beginning of a lot more. This is precisely what Iranian director Asghar Farhadi depicts in his latest domestic drama film ‘The Past’. Also as the title suggests, the movie is about one’s past and how it is never left behind. It has an ability to seep into our present and alter the course of our future.

There are obvious comparisons with his 2011 Oscar Winning film ‘A Separation’. It helps that I have not seen it and hence can analyze The Past in an objective light.

The Past is the story of Marie (Bérénice Bejo), a Frenchwoman, who is trying to finalise her divorce with her husband Ahmad (Ali Mosaffa). Ahmad had left her four years earlier to raise her two children from an earlier marriage (a young girl named Léa (Jeanne Jestin) and a teenager Lucie played by Pauline Burlet) alone in a working-class Paris suburb. Marie is looking to make a fresh start with her live-in boyfriend Samir (Rahman) and his young anxious son Fouad (Elyes Aguis). But is it so simple, a fresh start? Samir himself is dealing with a traumatic unresolved relationship with his wife.

Lives of these individuals are knotted in ways that wouldn’t be fair to explain. However as simple as the plot sounds, it really is not that straightforward. There are layers within layers that spring up unexpected twists and turns and further tangle the narrative thread. There are half-truths, misconceptions, allegations, suspicions and so much more. 

The complicated scenarios, the complex emotions and dilemma of the characters, their angst get you thinking. Divorce and separation, which are an integral part of the Western culture and increasingly gaining prominence in India too, bring a lot of problems and baggage with it. More often than not, children are the worst victims and this is wonderfully portrayed in this film.

All the characters are so wonderfully developed and that is the strong point of the film. Farhadi shows you each character’s perspective and you feel how they would feel. You realize that sometimes no one is to blame, it is just the situation and not much can be done about it. Even moving on is not so easy.

Besides weaving a tale of complicated relationships so wonderfully, Farhadi’s brilliance is evident from the fact that the movie is in French, a language he doesn’t himself speak. But language barrier is not a problem and even the finer nuances are dealt with suitably.

The Past has outstanding performances. While Bejo undoubtedly steals the show, both Mosaffa and Rahman are good, the stars are Fouad and Lucie. Some scenes involving them will spellbind you. Lucie especially is par excellence in her role of the rebellious, angst-filled teenager. Plus she is strikingly gorgeous.

Even though it is out of the race for Best Foreign Language Film, The Past is a wonderfully crafted drama on relationships and emotions. It has a lot to offer and if you are into foreign language films, you have to watch it!

Rating: 7.8/10